Zooming into any land, you can click on rides, shows, and attractions to learn about them from a pleasant narrator, then see “Backstage” or “Trivia” to view commercials, concept art, and models of each. After all, you’ve got to remember that before broadband Internet and sites like YouTube, this CD-ROM was the only way for many fans to hear their favorite music from the parks at home, to see videos and pictures of rides, to plan trips, and to get kids excited about a visit to Disney World! Essentially a computer promo piece for the resort, the Walt Disney World Explorer is exactly what it sounds like: a guide book on a disc, displaying an interactive map of the whole resort from which players can select hotels, parks, or games with a Tinker Bell cursor. It’s not quite right to call the Walt Disney World Explorer a game, per se, yet for plenty of ‘80s and ‘90s kids, this interactive software was just as exciting a way to spend an afternoon. It’s a surprisingly dark video game where players control Mickey himself (armed with both constructive paint and destructive thinner) as he’s drawn into a dark, twisted, eerie cartoon version of Disneyland populated by “forgotten” rides, attractions, and characters, and run by a resentful and scorned Oswald. From a “Partners” statue replacing Mickey with Oswald to “lost” versions of Main Street, New Orleans Square, Adventureland, Fantasyland, Toontown, and Tomorrowland, players can use paint and thinner to either rebuild or destroy Wasteland while earning “Tickets,” beating platforming levels, and defeating bosses (like – and this is real! – fighting the “small world” clocktower)! With Oswald in hand, Disney Interactive Studios created Epic Mickey. I'm going to be a trivia answer someday.”) (Referring to his own trade, Michaels told ESPN, “Oswald is definitely worth more than a fourth-round draft choice. In fact, Universal retained the rights to Oswald for nearly 80 years until, in 2006, Bob Iger traded Disney’s ABC sportscaster Al Michaels to Universal’s NBC in exchange for Oswald’s return. However, Disney famously lost the rights to Oswald in 1928, leaving him behind with Universal while he and animator Ub Iwerks were forced to create something new: Mickey. Long before Disney was “The Mouse House,” Walt’s cartoon star was Oswald the Lucky Rabbit.
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